Categotry Archives: performance

Descriptions and information about all the performances the piece sees, and processes of making them happen.

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NEXT PERFORMANCES – Base Instruments and Gilded Cages at Arisia 2018!

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Categories: base instruments, gilded cages, performance, Tags:

Mrs. Hawking is returning to Arisia this January!

I am delighted to announce that Team Hawking is undertaking preparations to begin putting together our next round of production for Arisia 2018! We will be continuing our tradition of performing the two most recent installments, the part we debuted the previous year as a lead-in to a brand-new story, in order to make hook audiences into the flow of the series. So we are proud to present Mrs. Hawking 3: Base Instruments along with Mrs. Hawking 4: Gilded Cages, in its very first public peformance!

Soon we’ll announcing the cast, featuring an array of both familiar faces returning to their roles as well as new stars bringing their talent to the table. And we’ll make sure to keep you up to date on scheduling, development, and process as it unfolds. Until then, I hope to leave you all in anticipation of the next direction the Hawking story is about to explore!

And make sure to join us at Arisia 2018! this January the weekend of the 12th-15th at the Westin Boston Waterfront!

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Watch City Steampunk Festival ’17 performances accomplished!

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This past weekend, we successfully completed our performances of Vivat Regina and Base Instruments at the Watch City Steampunk Festival 2017!

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I am so proud of Team Hawking’s work to bring these shows to life for this event. We played to two full houses that were so packed we were down to standing room only. I can’t tell you how lovely and flattering it was to see people willing to stand in the back for the entirety of the shows just to get the chance to see them. And these were very good performances; the cast knocked both pieces out of the park, with high energy and extreme precision, bringing the excitement and fascination to the onlookers.

And this was a particularly challenging production run. There was a lot of unusual difficulty during the process, from losing cast members to illnesses to random bad luck that nobody could help. We didn’t always have access to the people or materials we needed, so it often meant we had to compensate on the fly, thinking up solutions to unexpected problems. Not only did it challenge my ability as a director to provide leadership through the difficulties, but it showed me what an amazing cast I had, who pressed forward gamely and delivered the best possible performances no matter what.