For the Stage:
The story in its original form, intended for performance on the stage.
The first sequel to “Mrs. Hawking,” the second piece in the first cycle.
Following “Vivat Regina,” the third piece in the first cycle.
Following “Base Instruments,” the first play of the second cycle.
A short play set eighteen years before “Mrs. Hawking.” Colonel Hawking’s valet Chapman knows where he lays the blame for the difficult time his master is going through, but the Colonel won’t allow his man to pass judgment.
For the Screen:
The first play adapted as a series pilot for television.
A five-page treatment outlining the major characters, themes, and direction of the Mrs. Hawking TV series.