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Cast and crew for Base Instruments and Gilded Cages at Arisia 2018

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I’m pleased to announce we have complete casts and crew for our productions of Mrs. Hawking parts III and IV at Arisia 2018!

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Mrs. Hawking, part III:
Base Instruments
By Phoebe Roberts and Bernie Gabin

Featuring

Mrs. Hawking – Cari Keebaugh
Mary Stone – Circe Rowan
Nathaniel Hawking – Jeremiah O’Sullivan
Clara Hawking – Sara Smith
Arthur Swann – Matthew Kamm
Justin Hawking – Christian Krenek
Elena Zakharova – Jackie Freyman
Lord Seacourse – Andrew Prentice
Kiril Chernovsky – Lucas Commons-Miller
Yulia Sherba – Jennifer Giorno
Ensemble – Sara Dion, Travis Ellis

and

Mrs. Hawking, part IV:
Gilded Cages
By Phoebe Roberts and Bernie Gabin

1884

Mrs. Hawking – Cari Keebaugh
Mary Stone – Circe Rowan
Nathaniel Hawking – Jeremiah O’Sullivan
Arthur Swann – Matthew Kamm
Mrs. Chaudhary – Naomi Ibatsitas
Lord Brockton – Isaiah Max Plovnick
Mrs. Frost – Arielle Kaplan
Ensemble – Travis Ellis, Andrew Prentice

1859

Victoria Stanton – Cari Keebaugh
Malaika Shah – Naomi Ibatsitas
Elizabeth Danvers – Arielle Kaplan
Reginald Hawking – Jeremiah O’Sullivan
Lt. Governor Stanton – Sam Jones

Crew

Director – Phoebe Roberts
Technical director – Bernie Gabin
Stage manager – Jack Cockerill
Costume designers – Claire Brosius, Jennifer Giorno
Sound designer – Neil Marsh
Violence designer – Arielle Kaplan
Run crew – Michael McAfee

I am delighted that while we have some new talents joining Team Hawking for the first time, we are overwhelmingly rejoined by our wonderful old friends who have been with us for multiple productions. Some have played these characters through the entirety of their journeys, while others have taken on a different role in each show. I’ve been so fortunate to have the chance to grow these stories with such a talented group of people again and again.

Notably, the brand-new part IV: Gilded Cages will be the very first time we experiment with casting actors as multiple characters within the same production. This can be a risky move, as it can possibly cause confusion in the audience to have a familiar face taking on a different part upon a subsequent appearance. But we’re hoping to make points about the comparisons between the characters who are played by the same actor, that there is something meaningfully similar between the two— or, in some cases, meaningfully different, which you notice when you see somebody who appears to be the same think and behave in a fundamentally separate way.

I’m very excited to experiment with this. It will be a fascinating challenge for the actors, to meaningfully create the two contrasting personas. And I can’t wait to see the results of their work. So come see us at the Westin Boston Waterfront on January 12th-14th at Arisia 2018 to see how we do!

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Performances at Arisia 2017 accomplished!

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At Arisia 2017 this past weekend, Mrs. Hawking brought its two most recent shows, part 2: Vivat Regina, and the world premiere of part 3: Base Instruments. And I am so delighted to report that the performances went great.

Base Instruments represents a real achievement and step forward for the series. It’s the most technically demanding piece on all fronts. The piece is the longest with the most complex of all the plots and character arcs, requiring more from the writing and acting than any previous. Its production needs were on a bigger scale, requiring more sets and the accompanying set pieces.

And to my great pleasure and pride, Team Hawking conquered all those challenges. Our actors’ heartfelt performances brought the cast of characters believably and compellingly into the stage stage of their journeys. Our tech crew took phenomenal charge of all the many moving parts needed to fully flesh out this world. And I was deeply honored to hear from many people what I’d begun to suspect through this process— that part III: Base Instruments truly is the best installment yet. All the varied effort and craft that goes into the making of the show, from the design to the building to the portrayals to the execution to the writing, all came together to bring our storytelling to the next level.

I am intensely grateful to everyone who made that possible. My brilliant crew of designers and volunteers who physically made the show happen. The talented, dedicated actors who brought the characters to life. The enthusiastic audience who showed up to support our art. The staff of Arisia, particularly Persis Thorndike, for believing in us enough to give us the time and the resources to perform at the convention. And of course my technical director Bernie Gabin, without whose expertise, work, and passion none of this would be possible. Thank you all, for every moment we’re in your thoughts and all the time you’ve devoted.

Soon we’ll be displaying the excellent pictures taken by Anna Munch, our official photographer to the event. And we’ll have video to post taken of Base Instruments at the convention performance. But in the meantime, please enjoy the videos of our previous shows, and see the steps taken in the journey to get where we are today.

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Cast lists for Vivat Regina and Base Instruments at Arisia 2017!

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We have finalized our casts for our shows at Arisia 2017, Mrs. Hawking parts 2 and 3, Vivat Regina and Base Instruments!

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Vivat Regina by Phoebe Roberts

Mrs. Victoria Hawking: Cari Keebaugh
Miss Mary Stone: Circe Rowan
Mr. Nathaniel Hawking: Jeremiah O’Sullivan
Mrs. Johanna Braun: Joye Thaller
Mrs. Clara Hawking: Sara Smith
Officer Arthur Swann: Matthew Kamm
Frau Kirsten Gerhard: Kitty Drexel
Herr Christoph Austerlitz: Andrew Prentice
Ensemble: Sara Dion, Travis Ellis

Base Instruments by Phoebe Roberts

Mrs. Victoria Hawking: Cari Keebaugh
Miss Mary Stone: Circe Rowan
Mr. Nathaniel Hawking: Jeremiah O’Sullivan
Mrs. Clara Hawking: Sara Smith
Sergeant Arthur Swann: Matthew Kamm
Mr. Justin Hawking: Eric Cheung
Miss Elena Zakharova: Arielle Kaplan
Henry Cavil, Lord Seacourse: Andrew Prentice
Mr. Kyril Chernovsky: Isaiah Plovnick
Miss Yulia Sherba: Ava Maag
Ensemble: Sara Dion, Travis Ellis

And of course, our amazing crew:

Technical Director, Set Designer: Bernie Gabin
Costume Designer, Wardrobe Mistress: Jennifer Giorno
Violence Designer: Arielle Kaplan
Additional Sound Design: Neil Marsh

As always, I am honored when collaborators have a good enough time working with us that they want to come back, and we have a large number of actors who are gracing us with their talents again. It’s so great to have the chance to watch them build their performances over multiple arcs, and she how they interpret that character’s continuing journey.

I’m also really excited about our new collaborators! As I’ve mentioned, my longtime friend and theater partner Frances Kimpel has moved on, but I’m delighted to welcome Cari Keebaugh to the role. Additionally, a fellow committee member from the Watch City Steampunk Festival, Isaiah Plovnick, will be taking on his first role with us.

It’s a wonderful group, and I can’t wait to see how they continue the Mrs. Hawking story as an ensemble.

But in addition to this cast, we’re looking for a few additional crew members. If anyone is interested in being our stage manager, we could very much use the help. We wouldn’t need you for every rehearsal, and though it would be great to start having you when the actors get off-book, but the only time absolutely necessary is tech week and the shows, starting January 8th going through Arisia weekend, the 13th through 15th. There is a small stipend available, plus free admission to the Arisia convention. If you’re interested in joining Team Hawking, send us an email at mrshawkingweb@gmail.com!

Vivat Regina and Base Instruments by Phoebe Roberts will be performed January 13th-15th at the Boston Westin Waterfront Hotel as part of Arisia 2017.

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The Team Hawking promise

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As anyone who does theater knows, the process is a serious undertaking, with a significant investment of time and resources asked of anyone who chooses to be involved. With all the things that can go wrong and the wildcard personalities it can involve, it can be tough to find a production that you can trust to work responsibly AND be fun to take part in.

But know that if you’re considering being part of a Mrs. Hawking play, we’re dedicated to making sure we conduct ourselves in a manner we can be proud of. So if you’re on the team, you can expect a level of competence and respect for your abilities and contributions in order to thank you for lending them.

Here is the Team Hawking promise:

– A focused, professional, and enjoyable process

When you’re part of the Hawking crew, you can count on the process being run responsibly and effectively. We know what we’re doing, and everyone will be there with the intention of making the best possible piece of work we can with focus, dedication, and planning. There will be no scrambling at the last minute, and even when unexpected difficulties arise, we will handle them with determination and grace. At the same time, we’re going to enjoy ourselves, never becoming so serious that we forget we do this for fun and personal enrichment. We’re here to put on a good show while making the process as smooth and pleasant as possible.

– Respect for your time

We know that your agreeing to be part of the shows is a great expression of confidence and a generous offering of your time and effort. We will do everything in our power to show respect for that gift. You will be scheduled for rehearsals in as efficient a manner as possible, and when you are at rehearsals, we will make sure to work productively while we have you. We will never waste your time due to poor planning nor taking your presence for granted.

– Respect for your contributions as an artist

If you’re on the team, it means we have enormous respect for your abilities as a performer. Because of that, it’s important that you feel you are an active, valued part of the process of creating the story. You can feel free to offer your thoughts, and though the director has the final say, your input is welcome as a collaborator. Also, we want you to feel comfortable, so if something about your blocking or performance is causing a problem for you, we’ll make every effort to work out a way that works for both you and the needs of the show.

– The resources needed for the best show possible

Theater has many moving parts that must work together to make the show great. Our crew is made up of talented, responsible individuals who do their best to see that all the required resources are in place to show our work to the best possible advantage. If issues arise, which they often do despite even the best of efforts, they will be managed with cool heads dedicated to seeing the task through to the best possible ending.

– Appropriate gratitude

Your hard work, talent, and dedication will not be taken for granted as part of the Hawking crew. We will take the time to make our acknowledgement and respect clear, and the actors we select will receive a small gift at the end of the process. It’s a token to tangibly represent how truly appreciative we are of those people who help make our shows great.

– A product you can be proud of

We aren’t messing around here. Make no mistake, we want these shows to come out good. We want every aspect, from the script to the performances to the sets to the sound to the costuming to the fight choreography, to be the best it possibly can be. And we’re willing to work until it is. Trust me. You’ll be proud of having been a part of it.

Does that sound good to you? If so, sign up to audition for our upcoming performances this May!

Mrs. Hawking and Vivat Regina will be performed on May 7th as part of the Watch City Steampunk Festival 2016 in Waltham, MA.

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Cast and crew for Mrs. Hawking and Vivat Regina at Arisia 2016

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Categories: mrs. hawking, performance, vivat regina, Tags: , , ,

For our double-header performance at Arisia 2016, we needed a serious cast and crew! I’m happy to say we’ve found them. For the two plays, we are very lucky to have many actors returning from previous performances and iterations of the Mrs. Hawking stories.

1.1. "I would not have left England for this dreary place, but I suppose there are some circumstances that can't be helped."

For Mrs. Hawking, our first installment, the majority of the cast is a veteran from a previous full production, whether our original at Arisia 2015 or the encore at the Watch City Steampunk Festival later that year. This gives us a great advantage in producing this time around, as most of the cast already know their roles well and won’t require a ton of work to whip the show into shape.

Mrs. Hawking
Cast

Mrs. Victoria Hawking – Frances Kimpel
Miss Mary Stone – Circe Rowan
Mr. Nathaniel Hawking – Jeremiah O’Sullivan
Mrs. Celeste Fairmont – Arielle Kaplan
Lord Cedric Brockton – Francis Hauert
Sir Walter Grainger – Jordan Greeley
Mr. John Colchester – Andrew Prentice
Miss Grace Monroe – Jennifer Giorno
Ensemble – Joye Thaller, Chris Denmead

As for Vivat Regina, we have of course our three leads played by the same actors as they will be in Mrs. Hawking– Frances Kimpel, Circe Rowan, and Jeremiah O’Sullivan. But much of the additional cast are veterans of the Vivat Regina staged reading, with Joye Thaller, Samantha LeVangie, and Matthew Kamm all reprising the roles they read. While this will be an entirely new rehearsal process, it’s a great blessing to work with actors who know their characters so well.

Vivat Regina
Cast

Mrs. Victoria Hawking – Frances Kimpel
Miss Mary Stone – Circe Rowan
Mr. Nathaniel Hawking – Jeremiah O’Sullivan
Mrs. Johanna Braun – Joye Thaller
Mrs. Clara Hawking – Samantha LeVangie
Constable Arthur Swann – Matthew Kamm
Frau Kirsten Gerhard – Isabella Dollar
Ensemble – Chris Denmead, Tegan Kehoe, Sara Dion

And of course there’d be no show without the crew. The talented technical artists who helped bring Mrs. Hawking to life previously will be returning to bring the same magic to Vivat Regina.

Crew

Director – Phoebe Roberts
Technical Director – Bernie Gabin
Costume Designer – Jennifer Giorno
Sound Designer – Neil Marsh
Violence Designer – Arielle Kaplan
Run Crew – Eboracum Richter-Dahl

We are becoming quite the little troupe! Any theater project, not to mention any one so large and experimental as serialized live shows, requires a lot of great people to bring together. I am so honored to have so many talented people signing onto the project. Watch this space to see everything they bring to the process!

Mrs. Hawking by Phoebe Roberts will be performed January 15th at 8PM and January 16th at 4PM and Vivat Regina by Phoebe Roberts January 17th at 1PM at the Westin Waterfront Hotel as part of Arisia 2016.

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Cast list for Mrs. Hawking at the Watch City Steampunk Festival ’15!

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We have assembled our cast list for the encore production of Mrs. Hawking at the Watch City Steampunk Festival in Waltham this May!

Cast

Mrs. Victoria Hawking – Frances Kimpel
Miss Mary Stone – Circe Rowan
Mr. Nathaniel Hawking – Jeremiah O’Sullivan
Mrs. Celeste Fairmont – Sarah Jenkins
Lord Cedric Brockton – Francis Hauert
Sir Walter Grainger – Jordan Greeley
Mr. John Colchester – Brian Dorfman
Miss Grace Monroe – Jennifer Giorno
Ensemble – Andrew Prentice, Morgan Ong

Crew

Director – Phoebe Roberts
Stage Manager – Eboracum Richter-Dahl
Technical Director – Bernie Gabin
Costume Designer – Jennifer Giorno
Sound Designer – Neil Marsh
Makeup Artist – Indigo Darling
Violence Designer – Arielle Kaplan

As you can see, it’s a mix of old and new hands from our previous production. While we are sorry to see so many of our talented original cast depart, I’m extremely excited to work with the fabulous new people we’ve found. I look forward to seeing what new and different dimensions they will bring out of the play, and the freshness that their personal intepretations will bring.

So be sure to join at the Watch City Steampunk Festival this May to see how things shape up!

Mrs. Hawking by Phoebe Roberts will be performed on Saturday, May 9th at 2PM and 6PM at the Center for Digital Arts at 274 Moody Street, Waltham as part of the 2015 Watch City Steampunk Festival.

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The set for Mrs. Hawking at Arisia 2015

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Building the set for this show may have been the most difficult aspect of producing it. I wanted a real set for it, not only to elevate the production values, but because the plot demanded that Mrs. Hawking physically scale it. I got a lot of heat for that when I was writing it in grad school, but it was very necessary for the spectacle of the piece— we should see what a gymnast Mrs. Hawking is –so I stuck to my guns on it. Unfortunately, that meant a pretty demanding standard for the building of the set. But because of our limited budget, getting shop space was unfortunately not possible. That meant we were forced to build the set in my backyard. If it had been May, that might not have been such a big deal, but we had a week in a Boston January.

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Because of our time and resource limitations, I tried to design the set to require as little build as possible to stand up and be weight-bearing. That was where my idea to adapt a wooden children’s jungle gym into a structural set. We used the tower section to create a climbable freestanding piece that we attached the flat with the fireplace, and then the monkey bar section to create a window with the wall flat. I was incredibly pleased to see that this idea not only worked but also reduced our workload. It might not have been possible otherwise.

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The mantlepiece is particularly special, made by set consultant Carolyn Daitch. She made this gorgeous piece for us out of wood with a special styrofoam panel in the shelf of it, so that Mrs. Hawking can stab it with her knives. The worked BEAUTIFULLY, and allowed for the awesome image of her plunging the Colonel’s Bowie knife into it, leaving it stuck there in mute testament to her rage in that moment. The black and gold color scheme on it was thanks to Samantha LeVangie, who was scenic charge in addition to playing the role of Mary.

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We painted everything as the snow was actively falling down. I was terrified that the paint was freezing rather than drying, and would slough off in a torrent when we got it into a warmer space, but thankfully it managed to hold up. It also made it possible to visually incorporate the playground structures into the Victorian parlor look. Add a couple of gas lamps, curtains, and the portrait of the Colonel, and we were there. We chose red and gold for the colors to give it the warm period appearance.

We actually impressed some people with the quality and extensiveness of the set. It came in looking beautiful, and we put it up quickly and efficiently, thanks to our excellent team. Arisia is apparently not used to full sets, and it was gratifying to hear we turned a few heads. Not to mention that we got Mrs. Hawking in the air, just like we set out to!

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The set’s existence is primarily thanks to the work of Bernie Gabin, our technical director, my frequent collaborator, and my boyfriend. His experience in all aspects of technical theater, not to mention his fierce determination through adversity, made it possible to have any actual build occur. I am also incredibly grateful for the hard work of Eboracum Richter-Dahl, our stage manager, Frances Kimpel, our Mrs. Hawking, Matthew Kamm, our Sir Walter, and Samantha LeVangie, our Mary and our scenic charge. Their toiling out in the snow and freezing temperatures with this was very much above and beyond the call of duty.

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Here is the final product. You’d never think to look at it that it was built in the snow in five days, would you? Next time someone suggests I cannot do something, I will remember this build. It was incredibly grueling at times, but it came out so beautifully that I believe it was worth it.

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Cast and crew of Mrs. Hawking at Arisia ’15!

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Auditions have come and gone, and I am pleased to announce we have a cast for Mrs. Hawking!

The Chameleon’s Dish presents Mrs. Hawking, starring
Mrs. Victoria Hawking: Frances Kimpel
Miss Mary Stone: Samantha LeVangie
Mr. Nathaniel Hawking: Jonathan Plesser
Mrs. Celeste Fairmont: Arielle Kaplan
Lord Cedric Brockton: Francis Hauert
Sir Walter Grainger: Matthew Kamm
Mr. John Colchester: Robert Imperato
Miss Grace Monroe: Jennifer Giorno
Ensemble: Joye Thaller, Andrew Prentice

Many of these actors are past collaborators of mine. Some I know from theater at Brandeis University and specifically Hold Thy Peace, the college’s undergraduate Shakespeare troupe. Frances, Samantha, Jonathan, Arielle, Matthew, Jennifer, and Andrew all are alumni of that group. Robert was a past director of mine. Some have even experience with the world of Mrs. Hawking. In the staged reading of the sequel Vivat Regina with Bare Bones, Samantha read for Clara Hawking, Matthew Kamm read for Arthur Swann, and Joye Thaller for Mrs. Braun. Frances Kimpel is the model for Mrs. Hawking seen in the photographic representations of the character on this website, and I am fortunate to have her fully embodying my protagonist.

And of course there’s our talented crew.

Director: Phoebe Roberts
Technical Director: Bernie Gabin
Stage Manager: Eboracum Richter-Dahl
Set Designers: Joe Gabin and Carolyn Daitch
Costume Designer: Jennifer Giorno
Sound Designer: Neil Marsh

Many of these excellent people also have a history with Hold Thy Peace, including Bernie, Eboracum, and Carolyn. Others are good friends who are kind enough to lend their technical abilities in support of this project. I can’t say enough how fortunate I am that each and every one of them was willing to give their effort, their time, and their expertise to bringing Mrs. Hawking to life.

I am so delighted to have a cast set down. Soon we will be getting into rehearsal, which I will be documenting to talk about here. I can’t wait to dive right in!

Mrs. Hawking, by Phoebe Roberts, will be performed at Arisia 2015 on Friday, January 16th at 6PM at the Westin Waterfront Boston.

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Jumping in on Arisia ’15 production of Mrs. Hawking

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It’s been a little under a week since I got word that Mrs. Hawking gets to go up at Arisia ’15, and I have tried to waste no time getting preparations underway!

Organizing the team has been the first priority. I am pleased to report that finding production designers has been going well. My technical director is Bernie Gabin, my boyfriend and partner of my labors both creative and mundane. The set design will be a combined effort by two talented technical design professionals, Joe Gabin and Carolyn Daitch. Well-known larp circle costume fairy Jennifer Giorno will be helping with costuming, and experienced sound designer Neil Marsh will be covering music and audio effects. I am incredibly grateful to all those wonderful people for lending their talents to help with this show. I still need a stage manager and a prop person, but I have leads on who to ask to help with those. I could definitely use a producer, though, which is the one job I’m not sure who to look to for.

I also have auditions set up for Monday, November 10th from 7 to 9PM in the Raya Stern Trustees room at the Watertown Public Library. While I am relieved to see that there are people signed up, we could always use more options! If you are interested in auditioning, please don’t hesitate to email me at mrshawkingweb@gmail.com for an appointment. If you can’t make Monday, I would be happy to schedule an alternative time! It’s looking like rehearsals will be through the month of December into January, and there will be a nominal monetary honorarium for all selected actors.

Later on I will likely be soliciting more volunteers for jobs like building the set. I will also be needing runtime stage hands, although I believe that the Arisia convention has a supply of reliable people from which to draw. For now, I am focused on the things we can’t get started without– actors and designers to start making this dream a reality!

Mrs. Hawking, by Phoebe Roberts, will be performed at Arisia 2015 on Friday, January 16th at 6PM at the Westin Waterfront Boston.