We have just gotten through our first week of rehearsal!
My style as director, as I’ve mentioned, is to have things fairly specifically planned out before I go into rehearsal. A personal artistic value of mine is a dynamic stage, with lots of interesting action happening at the right times. I really dislike when actors just stand there and talk at each other for long periods; it gets boring and makes it easy for the audience to check out. The action must be engaging, this is an action story, but it must always seem purposeful and never gratuitous. But incorporating the right amount of activity is a careful balance.
Conveying more information about the characters and what’s really going on is also a big responsibility of the action. One thing that’s interesting about telling stories about Victorian characters is that they have certain standards of behavior, as well as social conditioning that they’ve been raised with. Nathaniel is a well-bred, wealthy middle class man, for instance, whereas Mary is a working class domestic servant. The difference in status brought on by their unequal social relationship, their genders, and their personal values has a lot of implications on how they act. For Mary to sit in the presence of her employers, for example, would be a very big deal and might be a serious breach of social etiquette. If I choose to have her sit in a scene, it better be for a meaningful reason, and the message it sends should be clear. They are also famously not a frank-speaking culture, which means there are many things– particularly about their emotions –that they cannot say. That means it’s up to the action to convey what’s going on beneath the genteel facades.
It’s a big challenge, but it’s really exciting to see just how much more of the story I’m able to tell with the visual dimension. And I’m very pleased with my team of actors, who are shouldering the burden of making that real.
Mrs. Hawking, by Phoebe Roberts, will be performed at Arisia 2015 on Friday, January 16th at 6PM at the Westin Waterfront Boston.