Bernie and I have come to think about the Mrs. Hawking play series in terms of what we call arc-cycles, or a series of trilogies that each complete a full arc within the larger story, each one building upon the last but with an internal completeness of its own.
The first arc-cycle, consisting of I.i Mrs. Hawking, I.ii Vivat Regina, and I.iii Base Instruments, is about the formation of our main superhero team, of Mrs. Hawking, Mary, and Nathaniel. This is where their relationships are established, as well as their working dynamic, with a stable understanding being reached by the end of part 3.
The difficulty of that is that you don’t want to wreck all the great stuff you’ve established just for the sake of having new story to tell. The development has to be maintained in some way, and explored further from there, but new conflicts have to be introduced to induce new growth. So, as we went into part 4: Gilded Cages— or II.i by the arc-cycles —we went in with the understanding that the basis of this second trilogy was going to have to a shakeup of something the audience had been led to desire and become settled with.
That means, as often happens in part two of a trilogy, the story is going to get a little darker.
More to be elaborated on this in part II.
Mrs. Hawking part III: Base Instruments and part IV: Gilded Cages by Phoebe Roberts and Bernie Gabin will be performed at 2PM and 6PM respectively on Saturday, May 12th at the New England School of Photography at 274 Moody Street in Waltham, MA as part of the Watch City Steampunk Festival ’18.
To donate to the Mrs. Hawking – Proof of Concept film project: