Categotry Archives: performance

Tonight is the first read through for Mrs. Hawking at Arisia 2015, which marks the start of our rehearsal period. This is going to be seriously intense. We don’t have long between now and our performance on January 16th, and there’s about week’s worth of lost time due to the winter holidays. That does NOT make for a nice leisurely process of getting a play blocked, memorized, and sufficiently rehearsed so we don’t all embarrass ourselves.

To that end, I am going to work hard to make sure we work as efficiently as possible. As I’ve mentioned, I like to have a pretty solid plan of what the scenes will look like, but I think that’s doubly important now. I still want to be flexible to discovery in the process and allow for the actors’ contributions and creativity, but having purpose will cut down on wasted time.

We’ve secured rehearsal space in Spingold Theater with the gracious permission of Brandeis University, of which most of our cast are alums. Our first two weeks will see us work through the whole show twice– that’s a lot to get through each night, but I think it’s necessary. When we get back from the holiday break, everyone will be hard off-book. We will have one more week of regular rehearsal, in which we’ll start doing larger chunks at a stretch, then it’s plunging into tech week. It’s a pretty demanding process, but I have faith in this cast to handle it.

To start things off well, I am doing what I always like to do when I begin a rehearsal process, cook everybody a big meal. Before tonight’s read through I will be serving a homemade dinner to my lovely cast to ensure their undying loyalty. Take it from me, having been on both sides of this, the quickest way to win over actors is to feed them.

I’m a little nervous, I won’t lie. I’m afraid we won’t have enough time to make this as good as I want it to be. But I’m going to do my damnedest to make it the best I possibly can. It means a lot to me to represent my work at its best.

Mrs. Hawking, by Phoebe Roberts, will be performed at Arisia 2015 on Friday, January 16th at 6PM at the Westin Waterfront Boston.

Most of the theater I have been involved with the production of has been classical in nature. In Shakespeare, there is very little in the way of stage directions beyond entrances, exits, and the occasional “pursued by bear.” The great part of that is how it allows for a huge range of interpretation of the text, with nuance created conveyed by whatever kind of action you chose to block. But doing so much of that kind of theater created something of a bias in me for scripts that do not try to hem in the production with specific stage directions. I mostly wrote Mrs. Hawking with that bias. That means that there is, in my opinion, a fair bit of meaning that’s not obvious.

Now that I’m starting in on planning the blocking for Mrs. Hawking at Arisia ’15, this is on my mind. I like the idea that people get to decide for themselves what subtleties are going on when they stage it, but when I’m the one doing the staging, that means I have to determine the most effective way to display my own vision of the action. I like to go on in a rehearsal process with blocking around seventy-five percent figured out ahead of time, to make it possible to jump right in and get things done, but with enough wiggle room to allow stuff to get discovered in the process and for the actors to contribute their own ideas. It has to incorporate Victorian cultural norms, to convey the setting and the social structures therein that would be unspoken parts of the fabric of the world. I’ve also come to appreciate drama that makes the characters and ideas clear with actions rather than words, so I’m hoping to add a whole additional layer of meaning with the acting and blocking. It will be a fun challenge, and it’s one of my favorite parts of the directing process.

Mrs. Hawking, by Phoebe Roberts, will be performed at Arisia 2015 on Friday, January 16th at 6PM at the Westin Waterfront Boston.