Tag Archives: properties


The Colonel’s portrait for the set

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Categories: performance, Tags: , , ,

A prominent feature of the Mrs. Hawking set is the portrait of the Colonel that hangs over the mantlepiece in the parlor. I always liked the idea of this detail, as it gives a physical representation to how the Colonel’s presence hangs over the play, and the entirety of Mrs. Hawking’s life.

There isn’t much in the way of detail about it in the text, neither about what it looks like or how it got there. I originally thought of it as a painting, but that would imply that the Colonel sat for it, and I don’t really see that. So now I’m inclined to think of it as a cabinet portrait, a daguerrotype, taken with the elaborate frame cameras of the day.

I also don’t see the Colonel as a man vain enough to live every day with a huge picture of himself in his living room, and of course Mrs. Hawking herself would never want to put it there. So I think it was a gift, and it was kept somewhere out of the way until he passed. After his death, somebody, quite possibly Nathaniel, brought it out to hang over the mantle. Mrs. Hawking felt like she couldn’t protest, so there it has remained in the year and one month since when the first play begins.

To represent it in the Arisia ’15 production, I decided to find an appropriate image. I did a Google search under various related terms, finding it difficult to find something that was exactly what I wanted. I needed something that looked like a daguerrotype of a gentleman in a Victorian’s colonel’s dress regalia, and I knew I wanted it to be of a handsome man. There were not a lot that fit those criteria, but I narrowed it down to these three options.







The first one is of a good-looking man with whiskers, but he seems a touch young for when I think the picture would have been taken, and he is also in civilian dress. The third has the necessary regalia, and I like his beard and the way the colorized image would lend a pop of brightness to the set, but the look of the man isn’t quite right. So I think I’m planning on using the middle one, as I believe it has the best balance of costume, facial hair, age, and handsomeness. None of them really look like quite what I imagine Colonel Reginald Prescott Hawking to look like, but I think that one will serve.

I plan on having a large version printed, and put into a frame. That will then be hung on the set of Mrs. Hawking’s parlor, to distinguish the location and flesh out the world.

Mrs. Hawking, by Phoebe Roberts, will be performed at Arisia 2015 on Friday, January 16th at 6PM at the Westin Waterfront Boston.


Set-building cleverness

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Categories: mrs. hawking, performance, Tags: , ,

There are many challenges involved in bringing a theatrical production into being. A lot of elements need to be handled before the story becomes a reality that require a high investment of time and effort. One of those elements is figuring out how to put together a set.

While I don’t feel it’s necessary for it to be a literal representation of the Victorian parlors and gentlemen’s clubs specified in the text, there are least has to be some sort of physical structure for our hero to climb on. Mrs. Hawking’s ninja-spy skills on display is a major part of the spectacle of the story, and I think you’d lose a lot if there was no way to show it.

That means that to put this on at Arisia, I’ll need to have a climbable structure for this set. Not only that, it has to be strong enough to support the weight of the actress, possible to be transported to the performance space, and of course within my budget. That’s a pretty tall order.

But desperation can motivate one to be very creative. I got an idea to secure some kind of found structure that could form the bones, at least, of the set. A little research onto Craigslist led me to find a wooden swing set jungle gym sort of thing that was being given away for free. It has the advantage of being lightweight, modular, and sufficiently well-built that I can trust an actor to it. I’m not sure it would be possible for me to so quickly and cheaply build something that structurally reliable.



So I rented a truck– a lesser expense than buying materials, tools, and shop space –and enlisted the help of some very capable and generous friends, John Brewer, Nat Budin, Michael Hyde, and Eboracum Richter-Dahl. It was so good of them to lend their time and effort to helping me collect this. I definitely could not have done it without them. We got the thing broken down, loaded up, and taken away in just a few hours. It’s even weather-proof, so I don’t need to worry about damaging it!

Don’t get me wrong, there’s still a lot of work left to do to get it in performance-ready shape. We will be dressing it up somehow, to give it the features necessary to properly represent the environments in the play. I still have to consult with my set designers on the best way to do that. But I am pleased that we managed to find a shortcut on building! It certainly cuts down the work, money, and expertise we’ll need to finish.

Mrs. Hawking, by Phoebe Roberts, will be performed at Arisia 2015 on Friday, January 16th at 6PM at the Westin Waterfront Boston.

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