Tag Archives: aging

by

“Your Vessel Has Not Betrayed You” — scribbling on the ballerina client

No comments yet

Categories: base instruments, development, scenes, Tags: , , , ,

IMG_0785.JPG

This early piece for Base Instruments is pretty much pure idea and very, very little refinement. It grew out of the fact that I want to have a ballerina for the client in this one, who can bring up ballet as a metaphor for exploring some of Mrs. Hawking's issues. Ballet dancers, particularly broken down ones, are a favorite subject of mine to write about. I really like using this conceit in the story, and I think I'm really on to something in this scene. I hope it's as subtle as I'm working for it to be.

The trouble is it was written without context, so definitely needs editing once I figure out what the mystery and plot is. For this I just threw in a few details as placeholders; I don't even know who "Alexei" is supposed to be, for example. But I can sort that out later. For now I just wanted to take a stab at the idea, and even in this rough form I think it's going to be a good one.

Your Vessel Has Not Betrayed You
by Phoebe Roberts

VICTORIA HAWKING, secret society avenger, early forties
ELENA ZAKHAROVA, prima ballerina of the Royal Ballet, late twenties

London, England, 1883
~~~

(ELENA ZAKHAROVA makes her way down the hall. Suddenly MRS. HAWKING springs out in her stealth suit. MISS ZAKHAROVA starts and sucks in a breath to scream, but MRS. HAWKING whips back her hood to show her face.)

MRS. HAWKING: Hush! It's me!

(With effort MISS ZAKHAROVA calms herself.)

MISS ZAKHAROVA: God in Heaven! How– however do you do that?

MRS. HAWKING: A trick of the trade. I had to find you, and I did not wish to be seen.

MISS ZAKHAROVA: What is it?

(She notices MRS. HAWKING's intense scrutiny.)

MISS ZAKHAROVA: Why do you look at me?

MRS. HAWKING: How long have they been like that?

MISS ZAKHAROVA: What?

MRS. HAWKING: Your ankles.

(MISS ZAKHAROVA stiffens.)

MRS. HAWKING: The laudanum concealed the extent of it when you visited me before. But I know those ginger steps to protect against the pain.

MISS ZAKHAROVA: I am only– sore from rehearsal!

MRS. HAWKING: It is more than that. A prima ballerina lives on her ankles, and yours are crumbling beneath you. They will only grow worse with time.

(Pause.)

MRS. HAWKING: You're on your on your way out, Miss Zakharova.

MISS ZAKHAROVA: Please. You mustn't tell anyone.

MRS. HAWKING: This changes things.

MISS ZAKHAROVA: It changes nothing of this!

MRS. HAWKING: If your position is no longer secure, then you have reason to act against the hierarchy of the company.

MISS ZAKHAROVA: I would never! The company is my life!

MRS. HAWKING: And that life is about to end.

MISS ZAKHAROVA: I have done nothing but the dance since I was a girl of six! I have sacrificed so much. All I had to my name was my career and Alexei, and now Alexei is dead. Can you not understand?

(Pause.)

MISS ZAKHAROVA: How could you? Your vessel has never betrayed you.

MRS. HAWKING: Miss Zakharova–

MISS ZAKHAROVA: Look at you! To be able to climb as you do like a cat in a tree! Might I be so impertinent as to ask madam's age?

(Pause.)

MRS. HAWKING: Forty-three.

MISS ZAKHAROVA: Forty-three. I shall have fortune to walk so long. I would do murder for the clean lines of your legs.

MRS. HAWKING: Nonsense.

MISS ZAKHAROVA: Any dancer would.

(Pause.)

MISS ZAKHAROVA: The ballet is my one calling. And in perfecting it, I have ruined myself for it.

MRS. HAWKING: You concealed it.

MISS ZAKHAROVA: So that I might have it just a few moments longer! They will replace me in a breath. In my place, what would you have done?

MRS. HAWKING: That's the trouble. I might have done anything.

8/12/14

Related Post

by

Early development for Mrs. Hawking 3

No comments yet

Categories: base instruments, development, looking ahead, themes, Tags: , , , , , , , ,

I won’t be able to truly tackle this for a while yet, as I have other projects that are currently more pressing, but I do have a fair bit of preliminary work done on creating the third installment in the Mrs. Hawking story. As I’ve mentioned in earlier entries, it will deal primarily with the three following themes:

– Mary’s establishment of what kind of protégé she truly wants to be.

– A hinting at Mrs. Hawking’s fear of her eventual decline into old age.

– The reaction of Nathaniel’s family

I’ve talked a great deal about the first two themes in this space. The third will be dealing with the first time Nathaniel’s involvement in Mrs. Hawking’s work (and his growing feminism, in sharp contrast to the common values of the day) is scrutinized by the by and large conventional members of his family. I’d like to have his brother Justin show up, to demonstrate a clashing ideology, and have his wife Clara actually be informed of what’s really going on and have to respond to it. I want to explore how Nathaniel will handle experiencing the threat of disapproval for basically the first time in his life, and realizing just how much at odds his new worldview is with the rest of society.

The case they shall be working in the course of this episode will be brought to them by a ballet dancer, in order to introduce the ballet motif that will expose Mrs. Hawking’s inner struggle. I haven’t figured out exactly what the problem will be, but it occurs to me that we’ve yet to see Mrs. Hawking deal with a true mystery. The problems in the first and second installments were entirely known quantities— return a stolen child, capture a miscreant hiding behind diplomatic immunity. I’d like to show her actually having to figure out what happened based on the gathering of clues and applying deductive reasoning. I enjoy mysteries a great deal, as the need to seek out more information is a compelling way to pace things, and I love the way it allows stories to unfold.

I struggle a great deal with titles; though I’m pretty happy with “Mrs. Hawking” and “Vivat Regina,” I rarely think I’ve come up with good ones. But I have an idea, at least, of what I’d like to call this third story. I’m leaning towards either “Base Instruments,” regarding to the imperfections of those people who struggle to deliver grand results, or “The Burden of Regard,” in reference to the weight placed on people from whom important things are expected. The first two have a quality of irony about them, which I would like to maintain in this third title if possible. Opinions on what works better are of course welcome.

Related Post

by

The ballet metaphor

4 comments

Categories: base instruments, development, looking ahead, themes, Tags: , , , ,

20140428-180211.jpg

I’ve always been fascinated by the art of ballet. First of all, I just find it beautiful, a pure pleasure to watch. But from an intellectual standpoint I’m enthralled by the contradictions. It is viewed as a very delicate, refined art, coded feminine in most modern people’s eyes. But those who practice it at the highest levels is run like an army with just as much discipline. The dancers look frail and delicate, but they have to be unimaginably fit and strong, not to mention able to endure an enormous amount of pain. The dance is so demanding that careers tends to be very short, as many ballet dancers end up physically destroyed by the effort. The image of the broken down ballerina— whose tragedy is that she can no longer practice what she has sacrificed everything to be able to do —is one I return to again and again in my writing.

I find this could make for a perfect parallel to Mrs. Hawking. I want the next story to include a ballerina who is facing inevitable breakdown in order to use her as a metaphor for everything Mrs. Hawking fears. Her work, which involves so much physical punishment, will eventually wear her body down, and age will at some point make it so she can no longer continue. The ballerina character will speak to this part of her, and cause her to ponder how she will eventually address this.

This could tie nicely into the protégé conflict, where she will be trying to mold Mary into a new version of herself. Her fear of her not being able to do her work anymore will motivate her to make Mary into someone she feels like she can trust to properly carry things on— literally, another her. We will see that things won’t exactly go her way on that score, but Mary will in time prove capable of taking up the mantle, if not exactly in the manner Mrs. Hawking initially hopes.

The staged reading of Base Instruments by Phoebe Roberts will go up on June 10th at 8PM at with the Bare Bones reading series, brought to you by Theatre@First.

Related Post

by

Hawking, Incorporated

2 comments

Categories: character, influences, looking ahead, themes, Tags: , , , , , ,

One thing I will have to explore sometime in the far future of these stories is the eventual aging of Mrs. Hawking. I made a conscious choice to depict her as forty years old when our story opens in 1880, and though she is a remarkably healthy and fit individual, as time goes on she will have to face the inevitable truth that eventually everyone physically deteriorates.

I think this will be extremely hard for her. So much of her work, upon which she bases her identity, requires her being an agile infiltrator and a dangerous fighter, all of which require her to be strong, flexible, and able to endure, and heal quickly from, injury. I also think that the idea of becoming a fragile old woman terrifies her. Even today we live in a culture that devalues weak old woman, and I think her own distaste for weakness made it so that she could not help but internalize it. Coming to terms with being unable to do the work by which she defines herself will be one of the greatest struggles of her life.

In the second story, she is going to settle upon the idea that Mary will be the one to continue on her work when she can’t do it anymore. Mary is not only her assistant but her protege and eventual successor. But I think she has not yet really thought about how this won’t just be after she’s dead– there will come a point in her lifetime when Mary will have to take over because she just can’t physically do it anymore. I think that struggle is going to make an impression on Mary as well. And that is going to spur her forward.

As I’ve said many times, Mary is the dynamic force that will take everything that’s great about Mrs. Hawking’s work and ways and bring it to a whole new level. She is not limited by the old resentments and psychological baggage that her mistress is. I think she’s going to see the enormous potential they have to do good and realize that it doesn’t have to be just a few women against the world, the way Mrs. Hawking has always seen it. I think Mary is going to start bringing in more people, and making a true organization devoted to society avenging.

A big inspiration for Mrs. Hawking has always been the character of Batman. A brilliant, brooding, lone wolf detective simultaneously motivated and handicapped by old psychological wounds. We’re already heading toward something that resembles the Bat Family, as it’s called, the group of heroes associated with Batman. If Mrs. Hawking is our Batman, Mary is a combination of Robin and Alfred, both her assistant and protege as well as her lifeline against losing herself in her own darkness. In the upcoming second story, our “Hawk Family” as it were, will expand to officially include Nathaniel as well.

In the excellent animated series Batman Beyond, Bruce Wayne goes through a similar struggle coming to terms with aging out of the ability to be a crime fighter. The solution there was to recruit someone new to be Batman who could act where our hero couldn’t, with the original Batman as his mentor and adviser. While Mary herself will never work in exactly the same manner as Mrs. Hawking, she recognizes the need for such ability. So I think eventually Mary is going to propose bringing in others who can expand the team, with Mary as their leader, and Mrs. Hawking as their trainer. In time, it may come to even resemble “Batman, Incorporated,” a concept from the comics where Batman essentially expands into franchises across the world, training people such that every city has a trained Batman to protect them. I love the idea of Mary recruiting youths (mostly women, but I doubt she’d turn away boys as well) and leading them as a team of society avengers fighting for justice, trained by their original and inspiration, Mrs. Hawking.

This would not happen until fairly far down the line. A great deal of adventure is to be had before then. But I think it would be an excellent evolution, and fitting consummation of their talents, to move in time to a point where brave young women are trained by fierce and cunning Mrs. Hawking and under the brave and sensible direction of Mary.

Related Post