It’s been really exciting seeing the new part V: Mrs. Frost script stand up in rehearsals. Due to the schedule on which this one was written, there was not a lot of breathing room between finishing it and beginning to rehearse. We made a movie this summer, so perhaps we can be forgiven, but it meant I didn’t have that chance to sit with it for a while, shed the stress of the push to finish, and enjoy what I’d accomplished with fresh eyes.
But something I’ve worked very hard to do in this story is to make it feel like a living, breathing, fully-fleshed-out world, beyond just what is needed for any one individual story. When you do multiple installments of a piece, it has to feel like the characters are rounded individuals who have more to them than just what’s relevant in one given moment. So I spend a lot of time developing them and their backstories, in order to feel like they have arrived organically at their current places based on a genuine human history. That means figuring out things that happened to them outside even what makes its way into the plays, and using how those experiences informed their needs and actions now.
By this token, I thought a lot of what Mrs. Frost brings into this story. She has a lot of complicated and not always positive history with the other characters, and she is famous for using what she knows about people’s secret selves against them. This is relevant for how she deals with Nathaniel, who she attempts to break down psychologically by manipulating his insecurities and fears. And a powerful tool she has for this is her experience with his hero the Colonel, over whom he is obsessed with the fact that he didn’t know as much as he thought.
Warning: possible spoilers for part IV: Gilded Cages.
It’s always amazing to hear the actual actors perform these on the fly. It really helps solidify the moment in my mind and make it come to life, like it was something that really did happen in the history of the characters. I feel like we bring more texture to the full performances when the characters are so grounded in such rich development. And when you come to see Mrs. Frost, see if you can spot the moment the title character makes reference to an important moment from this scene.